Wednesday, February 8, 2012

Happy Birthday, John Ruskin!

Anyone who knows me very well knows my peculiar fondness for John Ruskin. My first dissertation chapter didn't really come alive until I found The Ethics of the Dust
, and for that alone, I will always be grateful to him.

Recently, I've been trying to learn to draw decently, and, naturally enough, I turned to Ruskin, whose Elements of Drawing
is available on Amazon for the Kindle quite cheaply (or you can read it for free at Project Gutenberg). To begin with, there is some of the usual pontificating. As I quite enjoy Victorian pontificating, that did not deter me in the least. At length, I began the first exercise.




It was a square. Not a cube, just a square, shaded evenly. In the second lesson, however, Ruskin, admitting that such work is “tiresome,” suggested that I turn to botanical prints to copy them. He recommends Baxter's 1834 illustrations, and I therefore dutifully looked them up. Unfortunately, Ruskin advices using a pencil first, then going over the whole with ink. As I am in possession of some India ink and a dip pen, I promptly drowned the whole with black on account of accidentally using a too-thickly cut pen. Not precisely a success.


Ruskin is a big fan of copying: in his introduction he suggests that children should be given books with illustrations by Cruikshank to copy. Personally I think suggesting Cruikshank is absolutely cracked—but Rackham would be a wonderful substitute, as he does a lot with very little color and works creatively with lines.
The Rackham Original
My clumsy copy





Not daunted by my first failure, I decided to learn more about the book itself. In this way, I stumbled across something very special—the Ashmolean's Elements of Drawing site. Here I discovered videos of drawing lessons all taken from Ruskin's teaching methods. Stephen Farthing, who presents these lessons, does not, thank heavens, start with the shaded squares, but rather with the outline of a leaf. This exercise is heavily Ruskinian, suggesting you use tracing paper to compare and correct your drawing. The idea is not, as so many modern instructors might suggest, to give your “interpretation” of a leaf, but rather to convey, as accurately as possible, the actual leaf.

I find this helpful and interesting simply because modern instruction has taken a path away from copying, tracing, and sheer draftsman's accuracy to convey a more liberal aim for drawing. At the same time, our desire remains the same: to convey an idea visually. I don't mean, you must understand, to suggest that basic representation is the primary function of drawing. But I do believe that is a part of our experience and ought, probably, to be part of our training.

Is this a boring way to learn to draw? Absolutely! But drawing (or the kind of drawing of which Ruskin approves) is a skill just like speaking another language or playing a musical instrument. These are the verbs to be recited, the scales to be repeated. Eventually, it pays off. I think. I hope.

Monday, January 30, 2012

Meatless Monday; or, Watch Out, Cucumber!

I found myself feeling decidedly in the mood for something lighter over the weekend, and while some turkey lettuce wraps were good for an evening, it made me suspect that I needed an overall change in my nutrition. Not a dramatic change—I'll still be eating lumps of homemade pecan fudge—but a nudge in the right direction.

What I decided on was Meatless Monday. One day of abstinence weekly to help pep up my digestive system and get in a few nutrients I might otherwise zoom by on my way to the meat.



So I started out my Monday filled with anticipation. I had rye flakes for porridge, and, along with banana, blueberries, milk, maple syrup, and a few hazelnuts, they made a sumptuous breakfast.

Many people think a hot cereal is too much trouble in the morning, but I'm pretty sure they just haven't worked out the lazy girl way to do it. What I do is put quite a lot of water and a fairly generous helping of oats into a pan (for those who need ratios, a minimum of 3 to 1—lots of this water is going to cook off), put on low heat, then go and drink my coffee and smoke about fifty cigarettes. As long as the heat is low enough, the oatmeal/rye/wheatberries don't burn, and you don't have any trouble getting a good hearty breakfast!

Over the weekend, I definitely had pickles on my mind. Not the kind that have been languishing in a jar forever, but fresh pickles. They seemed to be popping up everywhere, including over at Make Grow Gather. With excitement, I brined up a bowl of fresh carrots that have been getting tangier and more delicious every day since. As you can see, I didn't really peel them, just scraped them a bit and washed them well.



Finding a basic brine recipe isn't hard, but here's mine:

1 c. cider (or rice wine, or even white) vinegar
½ c. water
1 generous tsp. sea salt
2 tsp. peppercorns, juniper berries, and perhaps a bay leaf (feel free to experiment here)
A small handful of complimentary herbs like dill or thyme
2 tsp. sugar
1 c. vegetable of choice

Heating the brine first is a good idea because it helps the salt and sugar dissolve and makes the spices more pungent. So combine everything but the vegetables and herbs in a saucepan, bring to a rapid boil, then allow to cool slightly. Arrange your vegetables and herbs in a glass jar/stoneware crock/non-metallic bowl/old butter tub, then pour the brine to cover. Refrigerate for at least one hour. Eat within three days.

Sunday, January 29, 2012

Library Thing



For those of you who've managed to miss the wonders of Library Thing, here is your wakeup call. You know how you love fiddling around with your books and sorting them by genre, by author, etc? Now you can keep a virtual catalog of all your books and sort them any way you please!

But Library Thing is a lot more than just a cataloging utility. Library Thing is a community. It feels, sometimes, a little bit like wandering around naked as you add all the odd things you read because one's bookcases are just a little like one's soul or genitalia: super private.

But at the same time, wonderful forums and groups lead to wonderful exchange and debate. I have long enjoyed the What Are You Reading Now? and Go Review that Book! groups. It's wonderful to peek into what others are reading and share their excitement as they talk about their literature.

For academics, this can be a particularly rich way to discover others in your field. I stumbled onto some wonderful people just by looking at who shared the many texts on Victorianism and readership that I have.

Best of all, there's the Early Reviewer program! Recently released books are offered on a limited basis to those willing to review them within the community. The books are usually matched to you based on request (obviously) and also how well they fit in with your collection. So you're likely to get something you're at least somewhat keen on.

Overall, it's a wonderful tool, community, and opportunity for those of us who take books seriously.

Tuesday, January 10, 2012

Dish Gardening

Inspired by a recent article in Martha Stewart, I decided to put together a decorative dish garden. My mother helped kickstart the project by digging out a lovely, shallow soup tureen, and then I was off to the garden center to pick up materials. I bought charcoal, orchid bark, orchid food, button fern, some other houseplant, a decorative accent, and three orchids (what extravagance!). The photo below is what my raw materials looked like.


The poor orchid is soaking in a pitcher of water to loosen its roots so I could pull the exhausted potting bark out and put in fresh stuff. I don't think that orchid will want to be watered for a month.

I began my dish with a layer of gravel at the bottom to provide drainage, then some charcoal to keep the pot fresh. Root rot is not on the agenda here.

Because the orchid woman was so vehement about needing to keep the roots tightly bound, I replaced the orchids in their little cups, but trimmed the cups down so that they wouldn't be visible. This will keep the roots tight and the arrangement pretty.


Then I tucked smaller plants like the button fern and the whatchamacallit around to provide stability and also variety of height and texture. (I was going to include myself more in this photo, but I was showing WAY too much cleavage!) While the orchids were well packed in bark, the other plants have little pockets of the soil that they prefer. Finally I covered the whole with some attractive mossy stuff and added my decorative accents.


My decorations, as you can see, are a wee little bridge that I bought at the garden center, along with an old marble frog. I like the "landscapey" effect of this arrangement, and I'm keeping it next to the kitchen sink where it can get sunlight and humidity. Next I'd love to try a terrarium arrangement under glass (I have a lovely cheese dome that would work perfectly), but I think I need to do more research before I prepare a whole ecosystem. I'd also probably have to do some woodland raiding for moss.

Saturday, December 31, 2011

2011 Accomplishments

Over at decor8 (one of my favorite design blogs), there was a suggestion recently that rather than taking this time to wistfully plan what we'll do better and sigh over another year gone, we take this time to celebrate our accomplishments. I like this idea a lot, because it reminds me that small things are worth noting and applauding. I may not have finished my dissertation, written a novel, or gotten a dream job in the last year, but it wasn't barren of accomplishment either.

So without further ado, here's what I did in 2011:

Paid off my car
Was a bridesmaid at Amelia's beautiful wedding
Got rid of nearly all my junk
Found work in the midst of an economic crisis
Started my blog
Began painting again
Made my own Christmas cards
Planted bulbs for sping

When I put it like that, 2011 wasn't a bad year at all. What did you do last year?

Monday, December 19, 2011

Christmas Displays, or a Study in the Dynamic

It's time for a return to the horrors of Sophie's photography, for which I'm sure you're all exactly as grateful as you should be! Behold:


This picture represents our main holiday decorating endeavor this year. You will notice, no tree is involved. Now I'm as big a fan of the Christmas tree as anyone, but you have to admit, it can often feel very stagnant as you dutifully place the same silver balls, glass pickle, and so forth, year after year, trying to make it feel fresh.

That's where the holiday display comes in. This picture was inspired by a Martha Stewart spread of a Scandanavian-themed mantle. Hence we used light woods, antlers and fresh greenery--all very organic. The silver accents then stood out and brightened everything up. And the presents in the background make it clear that this is more than a winter themed table, it's our holiday focal point.

Lights, greenery, silver...why this has a lot of elements of our old friend the Christmas tree, but it feels a lot fresher and more dynamic. Best of all, we didn't have to buy a thing for it--everything in this photo was stashed here and there around the house.

How are you making holiday decorating fresh this year?

Tuesday, December 13, 2011

Mother's Turkey Soup

Every year, for the holiday season, my mother makes this wonderful soup of leftovers, and every year, I like it far better than the meal that preceded it. It is the most forgiving soup imaginable. Everything in the ingredients list below, saving the turkey, is a suggestion rather than an imperative. Whatever vegetables or sides you have cooked for your meal will go wonderfully into the pot, although I will admit that the cranberries are perhaps my favorite part as they add a lovely tart sweetness. Please note that the ingredients below such as yams are pre-cooked.

Mother's Turkey Soup

2 cups turkey drippings
4-5 cups water
Turkey carcass split in half and its meat (assuming you have not cleanly picked the bones), turkey wings and meat, etc
2 cups stuffing
1/2-3/4 cup cranberry sauce
1-2 cups yams
1 cup green bean casserole
1 cup mashed potatoes

Boil drippings, water, and carcass 2-3 hours. Remove carcass and strip of its meat. Return meat to the stock. Add remaining ingredients for 30-45 minutes. Allow to sit perhaps a quarter of an hour to blend flavors. You may wish to skim fat from the top of the soup.